1er PAGE================//PUNK ROCK MUSIC

1er PAGE================//PUNK ROCK MUSIC
punk rock music
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Punk rock is an anti-establishment rock music genre and movement that emerged in the mid-1970s. Preceded by a variety of protopunk music of the 1960s and early 1970s, punk rock developed between 1974 and 1976 in the United States, the United Kingdom, and Australia, where groups such as the Ramones, Sex Pistols, and The Clash were recognized as the vanguard of a new musical movement. By 1977, punk was spreading around the world.

Punk rock bands, eschewing the perceived excesses of mainstream 1970s rock, created fast, hard music, typically with short songs, stripped-down instrumentation and often political or nihilistic lyrics. The associated punk subculture expresses youthful rebellion and is characterized by distinctive clothing styles, a variety of anti-authoritarian ideologies, and a DIY (do it yourself) attitude.

Punk rock quickly, though briefly, became a major cultural phenomenon in the United Kingdom. For the most part, punk took root in local scenes that tended to reject association with the mainstream. By the beginning of the 1980s, even faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to the alternative rock movement. By the turn of the century, new pop punk bands such as Green Day were bringing the genre widespread popularity decades after its inception.
[edit] Philosophy

[edit] Philosophy

The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock.[2] According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll."[3] John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music."[4] In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth."[5] Patti Smith, in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punk rockers were linked by a common anti-establishment mentality.

Throughout punk rock history, technical accessibility and a DIY spirit have been prized. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands.[6] Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music".[4] In December 1976, the English fanzine Sideburns published an illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band."[7]

Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or Rolling Stones in 1977", declared The Clash.[8] The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero".[9] Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future".[2] Others found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do.

# Posté le samedi 29 mars 2008 11:03

all american rejects BIOGRAPHIE==================genre punk rock MUSic

all american rejects BIOGRAPHIE==================genre punk rock MUSic
All American Rejects




The All American Rejects are impossible to classify. Equal parts punk, emo and radio friendly pop the bands core of Tyson Ritter and Nick Wheeler set about making songs as huge and expansive as their influences Def Leppard, Poison, Inxs and AC/DC. Thankfully they sound like none of the aforementioned bands and their sound is both unique and comfortably familiar with an album which explores relationships and break-ups through the eyes of young and innocent minds. We caught up with AAR's guitarist Mike Kennerty who filled us in on how the band could only come from a town such as Stillwater.

Q: Stillwater, the hometown of the All American Rejects. Apparently it's the most boring place on the planet?
A: It's up there. It's a college town so over the summer there's not much there and over the Winter there's twice as many people, but they're your typical fratboy college kids. Unless you're drinking or having pre-marital sex there's not much to do.

In Stillwater the only places to play are bars and mostly cover bands play there, but you can go to Oklahoma city and there's a little bit more but even then it's kind of limited. It's definitely not thriving at all in terms of a music scene.


Q: When you're out in the States and the UK you must think that the band wouldn't have formed if you'd have been born in a bigger city?
A: The lack of stuff to do means that everybody just concentrated on playing their instruments and not being distracted by other things. It definitely helps.


Q: It was Tyson and Nick who formed the band originally. When did you and Chris hook up with the guys?
A: We met them little over a year ago now and we were playing in separate bands. When they wanted to start touring they asked Chris and I to come and join them on the road. Way before us it was pretty much a different band with the same name and people had better things to do I suppose and it just ended up with Nick and Ty as the core and they wrote the record that is now out.

Since we started playing it's rocked up a little, but with the songwriting it was always don't f**k with what works. They're still at the core writing new stuff.


Q: "Swing Swing" is out in the UK this Monday. Have you been surprised at the reaction you've been getting over here?
A: The shows we've played have all been sold out and even though they've not been that big it's been totally unexpected. Back home we play to about 1300 people a night and it's going pretty well.

Nick listened to Def Leppard and Poison and Ty liked Inxs and AC/DC and those are huge bands that had a lot of radio hits. I think that songwriting style is going to rub off and of course make for radio friendly songs in the writing.


Q: A lot of rock bands tends to avoid keyboards and synths like the plague. The Rejects embraced them more by default than any other reason. With four of you in place I guess the next album will be a lot more rock based and maybe even throw out the synths?
A: Originally when it was just Nick and Ty they would just layer the songs and stuff and lacking a band to jam out stuff they had the opportunity to think out stuff and add keyboards. Especially with the drum loops came out of simply not having a drummer. The keyboards are such an important part of our sound I'm sure they'll still be prevalent.


Q: For you personally as a guitarist who were your major influences?
A: When I was growing up I had an older brother who got me into Kiss and Metallica and I watched a lot of MTV so I always into Twisted Sister and what not. Then in middle school I got way into punk rock and that's when I started playing more. It's kind of funny because I think it's true for the rest of the band that we tend to have a lot more heavier influences than the Rejects sound suggests.

I think that all of us listen to a lot of different stuff and that accumulates in the variety of the sound. I don't think we quite fit in with the pop punk bands that are big right now and the emo thing we don't fit in with too much, so we try to be just straight edge pop rock.


Q: So back to our original question on Stillwater. Are you still going to live there now you're bonafide rock stars?
A: I love it there, it's home. I won't be planning to leave.




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"Swing Swing" is out on July 21st. The self titled album is in shops now
All American Rejects return to the UK to play Leeds and Reading
For more info
www.allamericanrejects.com
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Post your All American Rejects reviews / comments on the Message Board
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# Posté le samedi 29 mars 2008 11:09

al AMERIcan REjects===========================///////////music toP OF THE world

Paroles de Top Of The World



Verse 1]
Is there anybody out there?
That wakes up with a bitter taste?
It's a king that we put up there
And he's a short way to fall from grace
It's slowly filling upward.
You can stand but you have no ground.
I hear it from the lost words.
They say it's time that you lost your crown.

[Chorus]
Don't be so greedy.
A dollar's a penny to you
When hearts are beating
Say what you want 'em to do.
Wasting away... I see you.
When the top of the world falls on you
Finding a day, don't wanna be you
When the top of the world falls on you

[Verse 2]
Is there anybody out there?
That can see what a man can change?
It's better that you don't care
Because he knows that he's in his state
I feel the paranoia.
When there's a time, put you in your place
In the eyes of those who watch ya
Well they can wait 'til you hit your face

[Chorus]
Don't be so greedy.
A dollar's a penny to you
When hearts are beating
Say what you want 'em to do.
Wasting away... I see you.
When the top of the world falls on you
Finally a day, don't wanna be you.
When the top of the world falls on you

Paint yourself a picture
When you waste another picture
And you win, and you win, and you win
Paint yourself a picture
And then you break another picture
And you win, and you win, and you win
And you win, yeah you win, and you win

[Chorus]
Don't be so greedy
A dollar's a penny to you
When hearts stop beating
Say what you want 'em to do
Wasting away... I see you
When the top of the world falls on you
Finding a day, don't wanna be you
When the top of the world falls on you

Wasting away... I see you
When the top of the world falls on you
Finding a day, don't wanna be you
When the top of the world falls on you

# Posté le samedi 29 mars 2008 11:13

al AMERIcan REjects===========================///////////it ends tongitttttttttttt

al AMERIcan REjects===========================///////////it ends tongitttttttttttt
Ca Finishes This Evening
Your subtleties
They strangle me
I cannot be explained at all
And very which wants
And very which needs
All which I do not want to need

The walls start to breathe
My spirit is unwoven
Perhaps is this better than you me leashes only
A weight is raised
This evening
I give the final blow
When the darkness turns to the light
Ca is finished this evening
Ca is finished this evening
A star in fall I fall only I cannot explain what you cannot explain You find of the things that you never have sweat I look you with such a scorn

The walls start to breathe
My spirit is unwoven
Perhaps is this better than you me leashes only
A weight is raised This evening
I give the final blow [Refrain]
When the darkness turns to the light
Ca is finished this evening Ca is finished this evening
A just little perspicacity will not make reason It is too late to fight
Ca is finished this evening Ca is finished this evening

Now I am on my own side
It is better than you would be tien
It is of my fault if you are blind
It is better than I see this of your eyes

All these thoughts are closed inside Now you are the first with knowing [Refrain] x2

# Posté le samedi 29 mars 2008 11:16

===================================//////////////////////////////////////////////////////////////////////rock MUsic

===================================//////////////////////////////////////////////////////////////////////rock MUsic
rock music







Rock music is a form of popular music with a prominent vocal melody accompanied by guitar, drums, and bass. Many styles of rock music also use keyboard instruments such as organ, piano, mellotron, and synthesizers. Other instruments sometimes utilized in rock include harmonica, violin, flute, banjo, melodica, and timpani. Also, less common stringed instruments such as mandolin and sitar are used. Rock music usually has a strong back beat, and often revolves around the guitar, either solid electric, hollow electric, or acoustic.

Rock music has its roots in 1940s and 1950s rock and roll and rockabilly, which evolved from blues, country music and other influences. According to the All Music Guide, "In its purest form, Rock & Roll has three chords, a strong, insistent back beat, and a catchy melody. Early rock & roll drew from a variety of sources, primarily blues, R&B, and country, but also gospel, traditional pop, jazz, and folk. All of these influences combined in a simple, blues-based song structure that was fast, danceable, and catchy."[1]

In the late 1960s, rock music was blended with folk music to create folk rock, blues to create blues-rock and with jazz, to create jazz-rock fusion, and without a time signature to create psychedelic rock. In the 1970s, rock incorporated influences from soul, funk, and latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included synth-rock, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal.

A group of musicians specializing in rock music is called a rock band or rock group. Many rock groups consist of a guitarist, lead singer, bass guitarist, and drummer, forming a quartet. Some groups omit one or more of these roles and/or utilize a lead singer who plays an instrument while singing, forming a trio or duo; others include additional musicians such as one or two rhythm guitarists and/or a keyboardist. More rarely, groups also utilize stringed instruments such as violins or cellos, and/or horns like trumpets or trombones.


# Posté le samedi 29 mars 2008 11:23